Why did "Ishq" become a hit? Why did "Macherla Niyojakavargam" turn into a disaster?
Why did "Majili" achieve success? Why did "Custody" flop?
Why did "Jersey" receive acclaim? Why did "Dasara" fail on the third day?
Why is 'Toli Prema' considered good, while "Ghani" struggled?
If "Bachelor" seemed fine, why did "Agent" fail? Why is "Geetha Govindam" a blockbuster, while "Liger" is a disaster?
Why did "Shatamanam Bhavati," become a hit? Why did "Ranarangam" fail?
Why did "Wild Dog," "Ghost," and "Manmadhudu 2" bite the dust?
Decoding the hits and flops of each hero's movies reveals an apparent formula for success.
However, our young heroes are not interested in that formula. They prefer action-packed fights, powerful dialogues, and romancing much younger heroines, even when senior actors like Nag are over 60.
The taste of the audience has changed, and they no longer expect each hero to be different. Salman and Venky exposing their thighs in lungis appear awkward and nauseating to the audience. We know how Kisi Ka Bhai Kisi Ki Jaan was kicked out from theatres by the audience.
Nithiin has done numerous mass films with renowned directors, but they were all repetitive and predictable.
Naga Chaitanya has delivered hits like "Ye Mayachesave," "Premam," "Majili," "Rarandoi Veduka Chooddam," "Love Story," while movies like "Savyasachi," "Sshasam Swasaga," "Yuddam Sharanam," and "Venky Mama" failed to resonate. It's unclear what kind of movies people want to see him in. Different stories within the same genre should be explored, as Chaitu's successful movies are all of the same genre but with different elements.
Varun Tej found success in youthful or family-oriented movies like "Fida," "Tholiprema," "F2," and "F3." When he deviated from that path with films like "Loafer," "Mister," and "Ghani," the result was lost. Yet, heroes cling to their "mass" mania.
Every hero has a defined genre, and he should know that. However, heroes often ignore this They say that to avoid being typecast, they need to experiment and take risks.
Well, success will come eventually, but these experiments shouldn't burden the producers. If the heroes believe in the project, they should invest their own money or forego remuneration.
Producers of "Jersey," "Shyam Singaroy," and "Dasara" gained nothing except giving recognition and money to Nani. Many of the other heroes and producers were left with neither name nor profit with their respective mass action masala films.
Heroes should contemplate the consequences of their mass experiments. Making producers as scape goats cannot be the practice; they need to think proactively.
