Aamir Khan as usually performed to his best by enticing
the audiences. Kajol looks glamorous even after the marriage.
She aptly performed the role of a blind girl in first half.
Rishi Kapoor and Kiron Kher are adequate in character roles.
The young boy who played the role of Kajol’s son looted
the hearts of audiences with his cute dialogues and touching
performance. Tabu has less to performa as she is grooved
in the character of an Intelligence Officer.
Lyrics:
Lyrics play essential role in the composition of this film.
Poetic fervor and emotional depth is seen in many lines.
‘Jaan se faa’iq..’ takes the senses to
the culmination of musical delight and lyrical harmony.
‘Chanda Chamkee Cham Cham..’ sounds interesting
and that would be the pet song for children. The song written
with tongue twisters is really a praiseworthy experiment.
Indeed, it recalls the song, ‘Chandu Ki Chacha Ne
Chandu Ki Chaachi Ko Chandni Chamchi Se Chutney Chataaye..’.
But that’s only the ‘mukhda’ that sounds
to be a tongue twister. But here there are many such twisters.
Other songs are also situational and up to the mark.
Dialogues:
The film is pervaded with innumerable poetic dialogues.
Theatres turned the platforms of ‘Mushaayiraa’,
with ‘Wah Wah’s from the audiences.
Here are a few notable lines from the film.
Kajol: “Tere Dil Mein Meri Aasoon
Ko Panaah Mil Jaye- Meri Dil Tere ishq mein fanaa ho jaye”
(If my tears find shelter in your heart- My heart would
die in your love).
Aamir Khan: “Hum Jo Khushboo hain
saason mein basteh- Khud Ki Saason Ko Kaise Rukh Paavogey?”,
(I’m the fragrance in your breathe- How can you stop
your own breathe?)
Kajol: Hum ithifaaq se nahi mile, magar
kismet se mile (we met fatefully but not accidentally)
Technical Departments:
Jatin’Lalit’s music, Ravi Chandran’s camera
works are certainly laudable.
STORY-SCREENPLAY-DIRECTION:
Shibani Bhatija’s story and screenplay and Kunal Kohli’s
direction are worth mentioning.
The film certainly allures
the multiplex audiences. Audiences with a bent towards Urdu
poetry can immensely enjoy it. First few minutes of the film
runs in a routine style, putting the audiences in perplexed
state. But then it takes to serious mode as soon as the completion
of first half. Second half of the film totally changes its
tempo. The film has the capability to entertain a set of audiences.
The conviction in the theme cannot be compared to that of
any of Aamir Khan’s recent releases. To sum up, as every
film maker says, ‘Fanaa’ is something different!